- Actors: Anthony Hopkins, Ian McKellen, Emily Watson, Vanessa Kirby
- Director: Richard Eyre
- Format: Anamorphic, Color, NTSC, Subtitled, Widescreen
- Language: English
- Subtitles: English, Spanish
- Region: Region 1
- Number of discs: 1
- Studio: ANCHOR BAY
- DVD Release Date: July 12, 2016
- Run Time: 109 minutes
Cinema has a
long tradition of borrowing from the theater, but the two mediums don’t always
line up perfectly. Film is a far more visual medium, and the dialogue-heavy
stories from the stage can often be noticeably stagnant onscreen. This easily
could have been the case with The Dresser,
Richard Eyre’s TV movie adaptation of Ronald Harwood’s stage play, had the
casting been any different. Ian McKellen and Anthony Hopkins often approach the
material with the rawness only seen in live performances, but also give the
subtle nuances often lost without a camera or front row theater tickets.
The film follows
the behind-the-scenes drama unfolding during a small English regional theater
production of King Lear during World War II. Although there are bombs falling
outside within earshot, every effort is made to continue on with the show. Even
more disconcerting than the war is the tardiness of troupe’s missing star, an
aging actor referred to only as Sir (Hopkins). Despite resistance from many in
the production, including Sir’s own wife (Emily Watson), the actor insists on
continuing when he finally emerges in a confused state. Unable to function on
his own, Sir relies on his faithful dresser, Norman (McKellen), a man who has
the dialogue and stage cues memorized on top of handling the star’s make-up and
wardrobe.
Much of the film
is spent in the dressing room as these two men prepare for each obstacle of the
show. Other members of the cast (including Sir’s wife) pay visit, some offering
flattery and others criticism, but all wanting something. Much of the film,
however, is just these two men talking. Honest discussions of the life of an
actor reach peak poignancy as it is clear that Sir is near the end of his
journey down this path. Norman
provides a distinctly different voice as a sounding board, giving the film its
strongest sequences of acting from the best writing of the play. At times the
additional characters in the film/play are a distraction from these
conversations, with some subplots never developing to the point of interest.
The DVD release
of this thoughtful TV film adaptation also comes with a couple of featurettes,
including one about the adaptation process from stage to film. My only
criticism of this production likely comes from a lack of funds, though part of
me does wish that the production design and cinematography had the ability to
match the performances.
Entertainment Value:
6.5/10
Quality of
Filmmaking: 7/10
Historical
Significance: 6/10
Special Features: 4/10
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