Unbreakable was somewhat of a disappointing film for audiences, especially after the extreme success M. Night Shyamalan saw with The Sixth Sense. Looking back now, it is clear that Unbreakable was ahead of it’s time, but the conclusion in Glass feels equally dated and unnecessary. This may have something to do with the 19-year-gap between the films, not to mention the onslaught of superhero films that have saturated the market in the meantime.
It is strange to see Steve Carell in a film as contrived and emotionally manipulative as Welcome to Marwen in the same year that he made Beautiful Boy. Both are based on true stories and deal with sincere pain, and somehow Welcome to Marwen still feels like it was thought up by a studio executive capitalizing on someone else’s suffering. No matter how much Carell has been able to make odd characters loveable onscreen in the past, Marwen’s Mark Hogancamp mostly just made me uncomfortable.