Takashi Miike is the type of director whose reputation and past films have me automatically bracing myself when I see his name before the credits of a film. You never know what you may get from Miike, from the unexpected brutal second half of Audition, which most definitely affected the entire torture porn movement in horror, to his batshit crazy yakuza films like Ichi the Killer and Gozu, and even the less violent but equally absurd zombie-musical-comedy, The Happiness of the Katakuris. Even though many of Miike’s recent releases that have found their way overseas have been rather restrained samurai classics adapted with respect, First Love strikes the balance between that tone and his familiarly insane earlier films. Although it may not be as expertly made as some of his dramatic turns, and not as crazily memorable (not always in a good way) as some of his earlier exploitation films, First Love finds a balance that is more than watchable. This may be Miike’s most enjoyable/crowd-pleasing film in some time.