There was online outrage with the decision to turn Ghostbusters into a female franchise. Whether it was coincidence or design, the gender reversal of old films shifted to properties with far less of a devoted fanbase. This meant less controversy over the repurposing of the material for female protagonists, but it also meant far less interest. There may have been no pushback for a gender reversal Overboard or What Women Want, but that’s probably because few people had little interest in the original narrative to begin with. I’m afraid The Hustle falls under this category, with most younger audiences unlikely to have even heard of Dirty Rotten Scoundrels, and fewer the one that came before. The biggest problem with the film isn’t a derivative story, however, but the way that it loses all of its bite in an effort to make sure a feminist message lasts, even when it contradicts the themes and structure of the original film.