Political Animals: The Complete Series DVD review

 

  • Actors: Sigourney Weaver, Carla Gugino, James Wolk, Sebastian Stan, Brittany Ishibashi
  • Producers: Greg Berlanti, Laurence Marks, Sarah Caplan
  • Format: Color, NTSC
  • Language: English
  • Number of discs: 2
  • Rated: Unrated
  • Studio: Warner Home Video
  • DVD Release Date: August 6, 2013
  • Run Time: 301 minutes




  •  

     

            Transparently borrowing from reality for its cliché and predictable story, “Political Animals” attempts to enter the world of political television shows alongside “The West Wing” and the more recently successful Netflix Original, “House of Cards.” There is a strongly feminist through line in the narrative, which is ironic considering how sex-obsessed and exploitative nearly every episode of the miniseries seems to be. This show wants to have its cake and eat it too, but by trying to be everything and please everyone, it just ends up a jumbled mess of incoherent angry feminist rants amidst poorly constructed real-life recreations. In the end, it just feels like a de-fanged feminazi version of “House of Cards.”

     

            The series jumps around with flashbacks that are entirely unnecessary, especially when they reveal information that doesn’t really need to be shown once we have been given back-story enough to understand what happened in the past. If you followed Hillary Clinton’s failed attempt at running for President or her embarrassing marital issues while in the White House, there are no surprises here for you. Sigourney Weaver plays Clinton… I mean, Elaine Barrish Hammond, former first lady attempting to shake off her latest defeat in her political career and marriage. After blaming her husband’s infidelity as her reason for being unable to win a primary election, Elaine divorces her philandering former President husband (Ciarán Hinds) and prepares her plan to run again despite any damage it does to her family.

     

            I have no problem with a miniseries about the first female president, or one which appears to be heading that way. The problem that I had with this series is two-fold, and the first has to do with the angry feminist ideals written into the story. Elaine is not a proud female as much as she is a sexist woman who hates men and even admits that she wants to become president because she is tired of the egos of men. I found this personality equally egotistical, not to mention sexist and spiteful in the way she speaks of men in a way that would never be allowed were a man speaking about women. This type of double-standard goes completely against the feminist ideology, not to mention the fact that this series insists that every character is also sex-obsessed. There are far too many unnecessary and exploitative sex scenes, which seem to be inserted just to give it more edge. For example, what reason was there to have two separate scenes in which Elaine’s son discusses his impending nuptials with his fiancé during sex? These scenes could have been shot dozens of other ways. The sex doesn’t fuel the plot in any way, other than to titillate audiences as if they were all as sex-obsessed as former President Clinton… I mean, former President Hammond.

     

    Entertainment Value: 6/10

    Quality of Filmmaking: 4/10

    Historical Significance: 2/10

    Disc Features: 0/10

     

     

    The Thick of It: Seasons 1-4 DVD review




  • Aspect Ratio: 1.33:1
  • Number of discs: 7
  • Rated: NR (Not Rated)
  • Studio: BBC Home Entertainment
  • DVD Release Date: August 6, 2013










  •  

            If you have ever longed for a show which has the awkward sense of humor of “The Office” paired with the political savvy of “The West Wing,” this British satire is exactly that. “The Thick of It” follows the misadventures of the fictitious government offices of the Department of Social Affairs led by successive ministers, Hugh Abbot and Nicola Murray (Chris Langham and Rebecca Front). The series ran for four seasons and was the inspiration for the feature film, In the Loop, and HBO’s series, “Veep.”

     

            The series focuses on the daily spin put on the news in order to keep the truth from the public, though it mostly just points out the incompetence and uselessness of the positions. The Department of Social Affairs has several different cabinet ministers, with one being fired in the pilot episode. The one constant is the abusive party leader, Malcolm Tucker (Peter Capaldi), who is the one to do the firing and a majority of the creative cursing that the show is famous for. They even employed a special writer just to come up with some of the more inflammatory insults used in each episode.

     

            This seven disc set includes all four seasons that make up the complete series. The first two discs are shorter, contained entirely on one disc each season. The third and fourth each take two discs each, with longer seasons, and there is a seventh disc with the specials. The special features are contained on each season along the way, which were all previously released discs combined in this set. The special features include commentaries on select episodes, deleted scenes and outtakes, and a number of making-of featurettes for the more dedicated fans.

           

     

    Entertainment Value: 7/10

    Quality of Filmmaking: 8/10

    Historical Significance: 7/10

    Disc Features: 7/10

     

     

    Top Gear USA: The Complete Season 3 DVD Review

  • Number of discs: 4
  • Rated: NR (Not Rated)
  • Studio: BBC Home Entertainment
  • DVD Release Date: August 6, 2013
  • Run Time: 704 minutes











  •   

            Any time you take a beloved product and change or adapt it, there are bound to be fans of the original that have nothing better to do but bitch and moan on internet discussion boards. “Top Gear USA” is a perfect example of this, angering many fans of the original BBC series which is exclusively made for gear heads. This American spin-off (aka: rip-off) is less interested in a passion in the technical aspects of the cars, and far more interested in the spectacle. This is fine until it becomes clear how much of the spectacle is staged, and how poorly it is done.

     

            The first problem many people have with this show is the hosts, and I think they are about 2/3 correct in this assessment. Actor Adam Ferrara is the least competent of the three, capable of crashing more than actually driving. His personality can also be somewhat grating, insisting on being as arrogant as the others without any of the ability and minimal knowledge. The racer included is Tanner Foust, who has the ability and knowledge paired with the show’s most obnoxiously conceited personality. Only the expert Rutledge Wood amused me, with a sense of humor and less competitive nature to make up for an unwillingness to speed dangerously or crash recklessly like the others.

     

            There could be an argument that these shows should focus on the ability of the cars more than anything else, but this is hardly the case with TGUSA, for better or worse. It comes off more manipulated and staged, like a majority of American “reality” television seems to be. For example, in one stunt challenge they are given passengers with drinks that aren’t to be spilled. When Adam and Rutledge drive, there is liquid in the drinks, but Tanner brings his own car to the race and apparently didn’t want to get water in the car. So instead of using a different car or addressing his vanity, instead they try and fake it by having cubs without water and the actors put their hands over it for the entire drive. The manipulation of the audience’s intelligence calls into question the validity of everything shown, and nullifies any belief in the stunts as well. American producers need to stop treating audiences like idiots when they make reality television. In that regard, the British version is still lightyears ahead in terms of accurate information and intelligent tests. The US version is poorly staged fake TV, kind of like watching “Jack-ass” with stunts done on a closed track and half faked.

     

            The complete third season is included in this four-disc set, along with special features. There are extra scenes, audio commentaries, behind-the-scenes footage and interviews with each of the hosts.

     

    Entertainment Value: 7/10

    Quality of Filmmaking: 3/10

    Historical Significance: 3/10

    Disc Features: 5/10

     

     

    The Muppet Movie Blu-ray review

     
  • Actors: Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, Dave Goelz
  • Director: James Frawley
  • Writers: Jack Burns, Jerry Juhl
  • Format: AC-3, Blu-ray, Color, DTS Surround Sound, NTSC, Subtitled, Widescreen
  • Language: English (DTS-HD High Res Audio)
  • Subtitles: French, Spanish, English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: G (General Audience)
  • Studio: Walt Disney Home Entertainment
  • Release Date: August 13, 2013
  • Run Time: 95 minutes


  •  

     

            In celebration of just short of a 35th Anniversary, the original Muppet Movie is being released on high definition Blu-ray. After years of success with The Muppet Show, Henson finally brought the gang to the big screen in 1979 with The Muppet Movie. It seems less likely that this release has to do with an anniversary, and more probable that this is merely a marketing ploy to get these loveable puppets into the minds of young audience members prior to the latest addition in the film franchise, Muppets Most Wanted (2014). Even if that is the case, I welcome any reason to return to this incredible first entry into the world of film for Jim Henson’s wonderful creations.

     

    The Muppet Movie takes us to the imaginary beginning of all of the legendary characters, and how they found their way into show business. It is a magical film that manages to escape seeming at all dated, even with a few tunes that are apparently influenced by the times in which the film was made. Mostly it is a fun and enjoyable film that has plenty for adults and children alike to enjoy. A perk for adults will be all of the great cameos by huge stars, staying true to the formula which made the television such a success. Among the most memorable are Steve Martin as an irritated waiter and Mel Brooks as a mad German scientist.  

     

     

            The movie is set up as a movie within a movie, so it begins with all of The Muppets gathering in a studio screening room to watch the film they have just finished about the very beginning of The Muppets. The audience is then brought back to the beginning, when Kermit the Frog was just a frog on a log in a swamp. It isn’t until a Hollywood agent just happens to pass by in a canoe and tell Kermit that he should be in show business that Kermit decides to leave the swamp. As he travels towards Hollywood, he finds himself meeting all sorts of other animals and creatures that also have a dream in Hollywood, so they form a group as they make their way. The group gets larger and larger, and Kermit is also being pursued by a fast food mogul who wants Kermit to help promote his fried frog leg chain.

     

    With danger, dancing, show business and songs, The Muppet Movie is filled with entertainment. Kermit has a very sophisticated sense of humor, and he often tells one-liners directly to the audience. Many of the jokes are incredibly sophisticated and only adults are likely to understand them, but there is plenty of other stuff for the children to enjoy as well. It was also incredible how some of the scenes were done with the puppets at the time the film was made, and to a certain extent the same remains true today. There were not the easy digital solutions which would be used today, so it is all about camera tricks and great puppetry.

     

    The Blu-ray release of this classic film is highlighted by the enhanced audio and visuals, but it also has some exclusive new special features which were not included in any previously released DVD. Though one of the features from the previous DVD is now released as a Classic Bonus feature, all the rest are new. There is a Disney intermission feature which is similar to others from Disney, with a special Muppet touch. There is also a karaoke feature, allowing a sing-along option for the famous songs. There is also a technical featurette, with never-before-seen footage of the first outdoor camera test of the famous puppet characters.

     

           

    Entertainment Value: 9.5/10

    Quality of Filmmaking: 9/10

    Historical Significance: 10/10

    Disc Features: 8/10

     

     

    On the Road Blu-ray review

     
  • Actors: Garrett Hedlund, Kristen Stewart, Sam Riley
  • Director: Walter Salles
  • Format: Blu-ray, Color, NTSC, Widescreen
  • Language: English  
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: MPI HOME VIDEO
  • Release Date: August 6, 2013
  • Run Time: 124 minutes





  •  

     

            As long as it took for this film adaptation of Jack Kerouac’s generation-defining novel to come to arrive, it was sure to be met with mixed feelings. Any novel with a following is bound to be judgmental of any interpretation which exists off of the page and outside of the reader’s own imagination, and this is only truer for a piece of literature many hold as nearly holy. I have no impression of the original source material, though I can’t imagine Kerouac imagined a bunch of pretty boy actors playing the roles in a tepidly safe adaptation of what was once a controversial text.

     

            I can almost see the attempt to draw in a specific audience group with the casting choices, and it was nearly brilliant in construction while the execution failed miserably. Casting an actress from Twilight alongside a bunch of Abercrombie models markets the film toward a younger audience, and with the film taking place during the beat generation we are also given a clear example of how unoriginal and uninspired hipsters are. The problem with a film starring a young and attractive cast looking and acting similar to the target audience is that it then has to appeal to that target group. Kerouac’s novel may have been youthful and exuberant, but the source material seems to have aged with him and the narrative in this film is so lifeless that it nearly has one foot in the grave.

     

            Sam Riley heads up the cast as Sal Paradise, our narrator and a struggling author who finds his voice through a relationship and random adventures with the selfish whirlwind of personality, Dean Moriarty (Garrett Hudlund). They travel cross country, occasionally with Dean’s first young wife, Marylou (Kristen Stewart), in tow. There are times that Marylou is along, even as they travel for Dean to visit his second and current wife (Kristen Dunst) and children. We are meant to dismiss Dean’s abysmal irresponsibility, because he is a free spirit. In the end, Sal just comes of a putz for trusting Dean or ever thinking he is capable of friendship without needing something in return.

     

            The cast is impressive, although mostly under-used. All people seem to be talking about is Stewart’s “bold performance,” which is code for her being willing to show her breasts and taint the image which fueled her career in another adaptation of a popular book. Stewart is good for reasons other than nudity, which is actually tasteful and limited. The cast also includes Amy Adams, Elisabeth Moss, and Viggo Mortensen, though none are used as much as they should be. Each scene with one of these actors is heightened, until we are forced to return to the story of Dean and his shadow.

     

            The Blu-ray release includes deleted scenes and a trailer.


    Entertainment Value: 6/10

    Quality of Filmmaking: 6/10

    Historical Significance: 6/10

    Disc Features: 3/10

     

     

    The Demented Blu-ray review

     
  • Actors: Kayla Ewell, Richard Kohnke, Ashlee Brian, Brittney Alger, Sarah Butler
  • Director: Christopher Roosevelt
  • Format: Color, NTSC, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Aspect Ratio: 2.35:1
  • Number of discs: 2
  • Rated: R (Restricted)
  • Studio: ANCHOR BAY
  • Release Date: July 30, 2013
  • Run Time: 92 minutes




  •  


            There are two types of independent horror films, and this is how it has always been. On one hand you have filmmakers like Roger Corman and his modern-day imitators, making films which blatantly rip off a more successful mainstream film in hopes of stealing a little of the residual glory. The other types are made by the more daring filmmakers who use the freedom of independence cinema to make a film which might not have been made in mainstream cinema. Unfortunately, The Demented is one of the first type of low budget horror films, and even more disappointing is how late it is to the party.

     

            To say that all of The Demented has been done in other films better is an understatement, as the market has been flooded with these type of infection-based horror since 9/11. In yet another quarantined biohazard horror, a group of college friends escape for a weekend getaway at an estate in a Louisiana bayou when a missile attack disrupts their peace. Suddenly all of the people in the surrounding areas act rabid and are contagious, in another zombie-like scenario.

     

            There are moments in the film which are well shot, and even a few sequences of suspense that almost make it worth enduring the standard bad dialogue and over-acting. All the rest won’t have to look far in the horror genre to find something similar. The Blu-ray release includes a high definition presentation of this low expectation horror film.

     

    Entertainment Value: 3/10

    Quality of Filmmaking: 4/10

    Historical Significance: 1/10

    Disc Features: 1/10

     

     

    Ishtar Blu-ray review

  • Actors: Warren Beatty, Dustin Hoffman
  • Director: Elaine May
  • Format: AC-3, Blu-ray, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English
  • Dubbed: English
  • Subtitles for the Hearing Impaired: English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Sony
  • Release Date: August 6, 2013
  • Run Time: 107 minutes



  •  

            Ishtar was one of those passion projects with a horrible reputation in the press long before it was released in 1987. As is the case with most massive cinematic flops, it isn’t nearly as bad as you might imagine. Mostly, Ishtar just feels like a waste of time, both for the talent involved and anyone unfortunate enough to sit through it. The director’s cut has no major changes to vastly improve the blandness of the film, and somehow I can’t imagine many people are excited to see this homage to classic Bing Crosby road comedies released in high definition.

     

            Warren Beatty and Dustin Hoffman are the only things keeping this surprisingly unfunny comedy afloat and even their performances get lost amidst a convoluted satire of Reagan-era international politics. The film works best when the jabs are directed at the entertainment industry instead, and the first act of Ishtar has the potential of being a Spinal Tap for lounge singers, but it quickly falls apart when the pair travels to the fictional country.

     

            Beatty and Hoffman are Rogers and Clarke, two singer/songwriters with little talent and endless ambition. Upon the advice of their limited agent, the pair goes on a concert tour in the Middle Eastern republic of Ishtar. Instead of performing, the pair becomes mixed up with beautiful freedom fighter (Isabelle Adjani) and ends up inadvertently taking on the CIA (led by Charles Grodin).

     

            The scenery looks fine in high definition, but no amount of image and sound clarity can help make the jokes funny. The highlight of the film are the moments of intentionally bad song writing, and even that isn’t enough to demand either a director’s cut or a Blu-ray release.

     

           

    Entertainment Value: 5/10

    Quality of Filmmaking: 4/10

    Historical Significance: 3/10

    Disc Features: 1/10

    The King of the Streets Blu-ray review

     
  • Actors: Yue Song, Li Yufei, Kang En, Yang Jianping, Yang Junping
  • Director: Yue Song
  • Format: Blu-ray, Dolby, NTSC, THX, Widescreen
  • Language: Mandarin Chinese
  • Subtitles: English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Well Go USA
  • Release Date: August 6, 2013
  • Run Time: 88 minutes




  •  

            The storyline in the King of the Streets is more than a little familiar, but I suppose when you make a movie filled with martial artists and fighters it becomes about something other than the narrative. The story and the acting appear sketched in, minimizing all but fight scenes which are plentiful. Star Yue Song is also the writer and co-director, making certain that he showcases his own real-life abilities above all else. This makes for entertaining action in a shell of a tired storyline.

     

            Yue Song plays Yue Feng, a character whose name shows the creativity in the writing process. Feng was once a brilliant street fighter, able to take on an endless number of attackers until an accidental death sent him to prison for eight years. After being released, Feng makes a vow not to fight anymore, but thankfully this is not taken very seriously. Most films would show the struggle within the character as he decides that the cause he is fighting for is worth ending his vow, but The King of the Streets doesn’t bother with pesky details such as characterization or convincing storylines. Instead, Feng just jumps right in and begins fighting as if he had never stopped. This is justifiable because he is fighting for the safety of a group of orphans, in another lazy manipulation of the storyline.

     

            None of the horrible screenplay seems to matter once the fighting begins, especially since the cast seems mostly comprised of top contenders in MMA, Jiu-jitsu, Jeet Kune DO, Sanda, and Muay Thai boxing. Any of the scenes of dialogue just get in the way of the action in this Bruce Lee wannabe. Watch it for the action alone, with little else needing to be skipped over. For the life of me I can’t even remember a scene with Song talking, though I’m sure it must have happened at some point in the 88 minute running time.

     

            The Blu-ray release includes no special features to discuss, and the only reason for high definition is for the extra punch it gives playback of the fight scenes.

     

    Entertainment Value: 7/10

    Quality of Filmmaking: 4/10

    Historical Significance: 3/10

    Disc Features: 0/10

     

     

    Twixt Blu-ray review

     
  • Actors: Val Kilmer, Bruce Dern, Elle Fanning, Ben Chaplin, Joanne Whalley
  • Director: Francis Ford Coppola
  • Writers: Francis Ford Coppola
  • Producers: Francis Ford Coppola, Adriana Rotaru, Anahid Nazarian, Fred Roos, Jim Hays
  • Format: AC-3, Blu-ray, DTS Surround Sound, NTSC, Subtitled, Widescreen
  • Language: English (DTS 5.1)
  • Subtitles: English, French, Spanish
  • Dubbed: English
  • Number of discs: 1
  • Rated: R
  • Studio: 20th Century Fox
  • Release Date: July 23, 2013
  • Run Time: 88 minutes


  •  

     

            Despite some similarities in marketing art, Francis Ford Coppola’s return to the horror genre has little of the impact that Dracula did in the 1990s. Although it is hardly fair to expect the same passion from the filmmaker as he once had, most infamously filming Apocalypse Now, Coppola’s return to cinema feels as though we are forced to watch a filmmaker’s career slowly die. While most filmmakers grow in talent and ability with each film, Coppola seems to be giving us the reverse with his filmography’s end. It goes without saying that this low-budget semi-horror film is unable to match up to the Godfather trilogy, Apocalypse Now (1979) or even Dracula (1992), but it is much sadder to note that Twixt is a step down in quality from Tetro (2009) and Youth Without Youth (2007) as well.

     

            Val Kilmer stars as Hall Baltimore, a Stephen King hack with a career that is plummeting. Searching for someone to care about his latest book in a small town, Hall discovers a disturbing murder in the town’s history which may be the perfect subject for his new book. His investigation brings him very casually upon the ghost of a young girl involved in the tragedy (Elle Fanning) within his dreams, along with the ghost of Edgar Allen Poe (Ben Chaplin). As he tries to merely steal from the dead for his book, Hall ends up becoming more entangled in the town’s mystery than he intended.

     

            The minimized budget is an understandable explanation for why this film looks so inconsistent, with Coppola’s recognizable style for the film’s more significant sequences and other moments looking as though they were shot with a laptop camera. What is more difficult to understand is how bad the acting is in much of this film. Shouldn’t budget be insignificant with a veteran filmmaker like Coppola? Whether it is laziness or just bad direction, some of the film’s sequences have unbearably performances, and this is all that holds a horror film without scares or action together.

     

            With an 88-minute running time and endless laughs to be had, both intentional and not, the only thing this thriller written, produced and directed by Coppola is missing; thrills. The Blu-ray includes a documentary by Gia Coppola, because God forbid anyone in that family attempts a career other than director.

             

    Entertainment Value: 4/10

    Quality of Filmmaking: 4/10

    Historical Significance: 4/10

    Disc Features: 4/10

     

     

    Welcome to the Punch Blu-ray review

  • Actors: James McAvoy, Mark Strong
  • Director: Eran Creevy
  • Format: Blu-ray, Color, NTSC, Widescreen
  • Language: English
  • Aspect Ratio: 2.40:1
  • Number of discs: 1
  • Rated: R
  • Studio: MPI HOME VIDEO
  • Release Date: July 23, 2013
  • Run Time: 99 minutes






  •  

     

            Welcome to the Punch has about five minutes of relevant real-world discussion about the practicality of a firearm-free police force in a society where criminals often carry deadly weapons themselves. Then it dismisses the subject, puts a gun in the police protagonist’s hand and unravels into a brainless shoot-‘em-up. Though it leaves little too think about and was easily replaced in my brain with the next piece of spectacle, Welcome to the Punch is a solid action film with more impact in visual style than narrative content or character development.

     

            Despite having an easily forgettable screenplay from visually proficient writer/director Eran Creevy, Welcome to the Punch is elevated slightly, even in the scenes without an explosive soundtrack, thanks to a talented cast of actors who are too good for this material. James McAvoy continues his struggle to shake the boyish image which elevated him to fame, heading up the cast as detective Max Lewinsky, a man left permanently scarred after a failed attempt to take down criminal mastermind, Jacob Sternwood (Mark Strong). When Sternwood’s son is caught up in a failed criminal venture of his own, Max’s retired nemesis is forced to return to London. Seeing his opportunity to redeem himself and obtain revenge in the process, Max’s passion returns to the job as he hunts Sherwood down.

     

            I could explain the plot more, but if I wrote even one sentence further there is a chance it would reveal the only remaining twist. This is not a complex film, and surprises can be guessed long before they arrive for anyone who has seen the plethora of films which preceded this one. There is little in the story which is new or exciting, but none of that will matter to actions fans once the shooting begins.

     

            The Blu-ray includes a making-of featurette, as well as additional interviews with star players. There is also a trailer for the film.

     

    Entertainment Value: 8.5/10

    Quality of Filmmaking: 6/10

    Historical Significance: 3/10

    Disc Features: 5/10

     

     

    RMN Quick Critique: Hitchcock (2012)

     

     

     

            Although I was relieved to see that the film’s storyline was about Alfred Hitchcock’s wife and her involvement in his career, I was disappointed by the inconsistency of the narrative. Filmmaker Sacha Gervasi attempts too many visual and mood references, all in a convoluted effort to insinuate Hitchcock inserted himself into the characters of his films. The best parts of this film are the real-life studio struggles and the subsequent marketing ploys Hitchcock used to draw audiences into Psycho, and the performances by stars Anthony Hopkins and Helen Mirren.

           

    Entertainment: 8/10
    Quality: 7/10
    Availability: Blu-ray, DVD, Redbox

     

     

    RMN Quick Critique: The Initiation (1984)

     

     


            Bad acting abounds while the deaths are at an all-time low, both in quantity and creativity, in this forgotten slasher from the 1980s. Occasionally so bad that it is fun to watch, The Initiation is mostly just bad. The twist at the end is inexplicable and would be laughed out of a writers’ meeting for even the worst soap opera.

           

    Entertainment: 3/10
    Quality: 2/10
    Availability: DVD, Instant Netflix

     

     

    Olympus Has Fallen DVD review

     


  • Language: English
  • Subtitles: Spanish, English
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Entertainment
  • Release Date: August 13, 2013
  • Run Time: 120 minutes
  •  
     
     
     
     
     

            If Hollywood studios insist on competing with each other in narratives of choice, at least we have some variety in the stylistic choices of these films. Within the first half of 2013, there were at least three films with central storylines involving the White House being invaded. In the most cartoonish sense, we have the ninjas invading the Oval Office in G.I. Joe: Retaliation. More in-line with the buddy action comedies of the 1990s is Roland Emmerich’s White House Down, while director Antoine Fuqua takes us down a darker path with Olympus Has Fallen.

     

            Gerard Butler heads up the ‘Die Hard in the White House’ plot as former Presidential guard Mike Banning. After this secret service agent fails the president, he is shamed with a job across the street from the White House, but an opportunity for redemption arises when an insurgent attack suddenly takes out the ground security and invades the White House, codename Olympus. The President of the United States (Aaron Eckhart) is taken hostage in the bunker, with only Banning as a hope to save him.

     

            When I read reviews saying that this was a dark film, I guess I assumed that they were merely referring to the fact that the lights are off in the White House for much of the film. It is dark in this sense, but also in the sense that there is little humor or light spectacle in the deaths. The type of action utilized here is the same as those in the Expendables films, minus the cheesy one-liners. Banning doesn’t just kill the invaders; he brutally hurts them and then emotionlessly ends them. The film might have been helped with some humor and less patriotic fervor, or perhaps may have been better accepted by audiences ten years ago when it may have served some cathartic purpose.

           

    Entertainment Value: 8/10

    Quality of Filmmaking: 6/10

    Historical Significance: 6/10

    Disc Features: 1/10

     

    The Ice Storm Blu-ray review

     

  • Actors: Kevin Kline, Joan Allen, Sigourney Weaver, Tobey Maguire, Christina Ricci
  • Director: Ang Lee
  • Format: Blu-ray, Color, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English  
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Criterion Collection
  • Release Date: July 23, 2013
  • Run Time: 113 minutes


  •  

     

            It is easy to get caught up on the coincidences that The Ice Storm shares with the future works of its filmmaker and cast members. Four years before playing Spider-man, the film opens with Tobey Maguire reading and musing over a comic book. Spider-man is even made direct reference to in the novel by Rick Moody which this film is based on, and the super-hero family of the Fantastic Four is a central metaphor for the narrative. Director Ang Lee (The Life of Pi, Brokeback Mountain) would eventually direct a super-hero film as well, with 2003’s Hulk. In reality, however, The Ice Storm shares much more with Lee’s early work than the films which would follow.

     

            Though the narrative is a great deal more cynical and tragic, the style of The Ice Storm aligns more with the ‘Father Knows Best’ trilogy than it does any of Lee’s later works. Much of this may be because of the film’s haunting score by Mychael Danna, which utilizes flutes for the more poignant sections. The story follows the evening of particularly unpredictable ice storm on Thanksgiving in 1973 suburban Connecticut. Two families are caught up in their own melodrama as Richard Nixon’s Watergate scandal began to unravel in front of the public’s eyes. More significant to the storyline is the relationship between child and parent, with many of the adults acting in a manner similarly irresponsible and immature to how their child is also behaving.

     

            The cast of parents and children is filled with a number of recognizable young faces, with Katie Holmes giving her film debut in a smaller role. The two main families in the film are the Hoods and the Carvers. Elena and Ben Hood (Joan Allen and Kevin Kline) have a sixteen-year-old boy named Paul (Maguire) and a fourteen-year-old daughter named Wendy (Christina Ricci), while Jim and Janey Carver (Jamey Sheridan and Sigourney Weaver) have two boys named Mikey and Sandy (Elijah Wood and Adam Hann Byrd). Ben is having an affair with Janey, while Wendy experiments with both of the Carver boys in their basement.

     

            Sexuality is something to be flaunted and discussed openly in The Ice Storm, especially over casual conversation at dinner parties. This was an era which even nicknamed an informant in the Watergate scandal after the popular pornographic film. Never before (or since) was there a more sexually liberated society, and Lee satires the parent’s longing to act younger than they are while their children attempt to act older.

     

            The Blu-ray release of The Ice Storm presents a restored 2K digital film transfer, supervised by director Ang Lee and director of photography Frederick Elmes, with a 2.0 surround DTS-HD Master Audio soundtrack. The special features include a commentary track with Lee and producer/screenwriter James Schamus. There is also a making-of documentary with interviews from cast and crew, and additional interviews with novelist Rick Moody. Some of the more unique special features include a series of illustrated audio interviews, while there are also the traditional deleted scenes and trailers.

    Entertainment Value: 7/10

    Quality of Filmmaking: 8/10

    Historical Significance: 7/10

    Disc Features: 9/10

     

     

    New World Blu-ray review



  • Actors: Choi Min-sik, Hwang Jeong-min, Lee Jeong-jae, Park Seong-Woong, Song Ji-hyo
  • Director: Park Hoon Jeong
  • Format: Blu-ray, Dolby, NTSC, Subtitled, THX, Widescreen
  • Language: Korean
  • Subtitles: English
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Well Go USA
  • Release Date: July 23, 2013
  • Run Time: 135 minutes


  •  

     

            In many ways, New World is far from original in its plot. If I were to add together all of the crime films involving an undercover cop and then separate them by country of origin, I would imagine that at least half would be Asian-language films. Though South Korean cinema of the last decade or so has said to have had most its influence from the heyday of 1990s Hollywood blockbusters, New World seems more likely to have been inspired by the plethora of Chinese crime films. It may have even blended in to become indistinguishable amongst them, if it weren’t for an altogether inspired ending. The conclusion of New World is one which cleverly relies on the expectations audiences have with the familiarity of this material, elevating the film to new heights as the credits begin to roll.

     

            The film begins with a shocking event that changes the dynamic in a powerful crime syndicate. When the head of the Goldmoon syndicate dies, three different men prepare their own rise to the top. As the top seat is being battled for by brute force and clandestine actions, one of the members has other issues to deal with. Ja-sung (Lee Jung jae) is an undercover cop who has been in deep-cover for eight years with the Goldmoon syndicate. Although the man he was investigating has died, Ja-sung is forced to stay undercover by the order of determined Police Chief Kang (Choi Min-sik). Soon it is more than just the arrests at stake, as a mole is being exposed within the syndicate and Ja-sung worries that he will be discovered before the case is closed.

     

            Those going into New World expecting a great deal of action are likely to be disappointed. There is some gangster violence, but this is much heavier on the drama than it is on the exploitation or spectacle. What action there is has a purpose within the grand scheme of the plot, rather than simply serving the bloodlust of the audience. While much of the film may be a bit slow for the genre, this is the kind of film which pays off to the patient viewer.

     

            The Blu-ray release includes a making-of featurette, as well as a photo gallery and a trailer.

           

    Entertainment Value: 7/10

    Quality of Filmmaking: 8/10

    Historical Significance: 6/10

    Disc Features: 5/10