- Director: Otto Bell
- Producers: Otto Bell, Stacey Reiss, Jason Weinberg, Sharon Chang
- Format: AC-3, Dolby, Subtitled, Widescreen
- Language: English
- Subtitles: French, English, Spanish
- Audio Description: English
- Region: All Regions
- Aspect Ratio: 1.85:1
- Rated: G
- Studio: Sony Pictures Home Entertainment
- Release Date: February 7, 2017
- Run Time: 87 minutes
The Eagle Huntress is a beautifully shot
documentary which tells an inspirational story of Aisholpan, a 13-year-old girl
who is the first female in her family to become an eagle hunter. It is a feel
good narrative, a rare G-rated film tackling issues of feminism while also
celebrating cultural traditions. So why is it that this film is also being
bashed by many online skeptics? There are concerns that some of the polished
visuals are too polished, and that some of the sequences have been staged
specifically for the camera. Even if this is true, it does little to change the
narrative. Staging beautiful shots of an eagle flying to Aisholpan does not
detract from her inspirational story, unless you go out of your way to look for
a reason not to like The Eagle Huntress.
By the age of
13, when the documentary joins her on the journey, Aisholpan had already been
hunting with her father’s eagle. This film focuses on her own eagle, beginning
with the mission to capture a young eagle from its nest to be trained. This
bird becomes Aisholpan’s, and is the one that she eventually teaches to hunt
over the course of the film. The Eagle
Huntress is split up into sections, with the final accomplishment being a
successful hunting trip with the new bird in the Mongolian steppe. Prior to
that, Aisholpan achieves credibility through competition in the Golden Eagle
Festival, shocking other participants with her gender and her age.
Filmmaker Otto
Bell takes the opportunity to use this narrative as feminist inspiration, even
going so far as to have Daisy Ridley add a bit of unnecessary narration and
hiring Sia to record an original song with lyrics that are more than little
on-the-nose (albeit undeniably catchy). In order to emphasis this point, and
perhaps to increase the perception of adversity Aisholpan was forced to face,
Bell also includes interviews with a handful of elder eagle hunters expressing
skepticism about the strength of a woman to perform these tasks. This would be
an easy portion of the film to criticize as being biased in the message being
conveyed, but there is far more to The
Eagle Huntress. Even more significant than gender issues is the depiction
of the Kazakh family traditions. Aisholpan is the first female in twelve generations
to be an eagle hunter, but this film is just as interested in that tradition as
it is her gender.
In many ways, it
doesn’t even matter if elements of this film were staged. Not only does it have
little impact on the narrative whether the scenes were staged or captured with
cinéma vérité realism, this is far from a new technique for documentary
filmmaking. Many will point to recent documentaries that were exposed as having
altered content in order to make a more compelling film, movies like King of Kong or nearly anything to come
from DisneyNature. But the reality is that a certain level of fabrication and
staging has been a part of documentary filmmaking since the very beginning. The
first American documentary feature, Nanook
of the North (1922) famously recreated sequences of Inuit practices in the Arctic Circle. Some may see this as reason to dismiss The Eagle Huntress, but I just see it as
a continuation of artistic traditions. And regardless of whether or not
sequences were staged, Aisholpan has a bright smile that is infectious on
camera and demeanor that cannot be staged.
The special
features on the Blu-ray for The Eagle
Huntress include an insightful commentary track from Otto Bell, as well as
a making-of featurette that is just over 10-minutes long. Both of these extras
seem a bit too over-preoccupied with the inclusion of Star Wars actress Daisy Ridley in the project, despite the fact
that her contribution seems minimal. The real star of the film is Aisholpan and
the magnificent setting, both of which shine in the high definition
presentation of the film. Staged or not, the photography in this film is
breathtaking, and absolutely worth seeing in high definition.
Entertainment Value:
10/10
Quality of
Filmmaking: 8.5/10
Historical Significance:
7.5/10
Special Features: 6/10
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