RMN Quick Critique: Frenemy

 
 
 
 
Frenemy tries desperately to advertise itself as a film starring Zach Galifianakis, an actor only in one scene of the film. This is horribly frustrating and caused me to hate the film much more than I should have. Callum Blue and Matthew Modine star as friends and unsavory characters that witness and participate in a strange porn shop robbery. The film spends most of its time meandering, attempting to have the same clever and meaningful dialogue Tarantino fills his films with. Despite all of the dialogue, we never actually know anything about the characters in the film.
       
       
Entertainment: 2/10
Quality: 2/10
Availability: DVD

Throwback Thursday Review: A Reason to Believe

 
  • Actors: Jay Underwood, Allison Smith, Danny Quinn, Georgia Emelin, Kim Walker
  • Director: Douglas Tirola
  • Writer: Douglas Tirola
  • Producer: Douglas Tirola, Christopher Trela, Ged Dickersin
  • Aspect Ratio: 1.33:1
  • Rated: R
  • Studio: Lions Gate
  • DVD Release Date: April 5, 2005
  • Run Time: 109 minutes


  •  

     

                    Although things have improved greatly, when this film was made during the early nineties, rape often went unreported. Making a statement against letting sleeping dogs lie, A Reason to Believe takes a strong stance against the abuse of women. It almost makes a strong stance for women’s rights as well, falling short only because of hypocrisy.

     

            Charlotte is dating a guy in a fraternity and has gotten to know all of his friends well, so when he leaves town for a funeral, she naturally assumes that she will still be safe at a party with them. When one of her boyfriend’s fraternity brothers rapes her at the party, she feels ashamed and tells no one. When her boyfriend returns and finds out, he turns his back on her. Finally she decides to go forward and bring charges against the guy, which also attacks the fraternity as well. Soon all of her friends have turned on her and the only people on her side are the women’s rights group on campus, who are merely using her to take down the fraternity.

     

            A Reason to Believe is a straightforward drama with little else to offer, making it difficult not to expect the film to feel like a TV special. Somehow it holds, however, never seeming too cliché or trite. One of the elements of the film which bothered me the most also helped to make it more dimensional and real. The women’s rights group wanted desperately to let everyone know that they had the right to do whatever they wanted, but at the same time they would not allow Charlotte the simple right of making the choice to come forward on her own. They pressured her into it, eventually leaking the story into the school newspaper just to force her into the spotlight. They had no concern for Charlotte’s individual rights even though that is what they claim to be defending the entire film.

     

            There are many other interesting questions in the film, all concerning truth, loyalty, and choices. Much of the struggle seems to come in Charlotte’s decision, but there are other people who know she is telling the truth and choose not to come forward. Others simply lie in the rapist’s defense. Charlotte quickly learns who her true friends are, and how few of them there really are. The other good thing about this film is its willingness to allow things to end unfinished. It understands that rape is not something that simply disappears regardless of how the person was punished.

     

            With a surprisingly large amount of special features for a film this old and small, A Reason to Believe is a rarity among new-to-DVD releases. There are ten mini-featurettes, documenting the making of the film and examining the issue of rape further.

     

           

    Entertainment Value: 6.5/10

    Quality of Filmmaking: 7/10

    Historical Significance: 5/10

    Disc Features: 7/10

    The Wizard of Oz 3D Premiere Marks the Re-Opening of Historic TCL Chinese Theatre




            In all of my higher education, there was only one class that I dropped rather than face the task of attempting to obtain a passing grade by semester’s end. It was a history class, which had never been a problem for me in the past. I am a lover of stories, and history is simply a collection of significant true tales. My problem with this particular class was the detached methods from the professor, who had little interest in history having any personal significance to his students.


    Ruth Duccini cutting ribbon for re-opening of TCL Chinese Theatre


            It is easy to forget how young the art of filmmaking actually is, and it takes an event like the premiere of The Wizard of Oz in Imax 3D to remind us. The opening night event was held Monday evening at the newly reopened TCL Chinese Theatre IMAX, the same location as the film’s original premiere on August 15, 1939. Among the many guests to fill the 932 seats for this special event was Ruth Duccini, one of the two surviving Munchkins of the 124 in the cast.

     

            The Wizard of Oz is the oldest film ever to be converted to 3D and Imax 3D, and I will admit that I had my hesitations over this endeavor. The process took nearly a year-and-a-half, thousands of jobs, and all for an exclusive one-week engagement in just over 300 films in North America, and it took me all of three seconds behind those ridiculous glasses to realize that it was all worth it.  

     
    "Modern Family" stars Ariel Winter and Rico Rodriguez
     


            The 3D does not attempt to bring much movement off of the screen, but instead gives depth to the picture in a way which brings the audience in without becoming a flashy distraction to the film we love. In many ways it is the restoration which is most impressive, and this format works extremely well in showing the hard work. I feel as though sometimes 3D can detract from the clarity of image, but the presentation of The Wizard of Oz in 3D IMAX was the sharpest I have ever experienced this film. There was so much detail in the picture that it felt as though I was seeing it for the first time. Judy Garland’s freckles, the burlap texture on the face of The Scarecrow (Ray Bolger), the metallic make-up and rivets on the Tin Man (Jack Haley), and the whiskered moustache upper lip of The Cowardly Lion (Bert Zahr) can all be seen like never before in my lifetime.

     

            As well as the 95-year-old Duccini, the premiere evening for this special 3D IMAX presentation was also attended by Danielle Wade, who is currently starring in the national tour of the Broadway adaptation by Andrew Lloyd Webber. Other guests in attendance included Marcia Gay Harden, Molly Ringwald, Drew Carey, Kevin Sorbo, Ariel Winter, Sierra McCormick, Mario Lopez, and with an introduction by Wizard of Oz historian John Fricke. There was one other special guest; my nine-year-old sister.

     


    Molly Ringwald and entourage
     

            Watching my sister as she placed her hands inside the cement imprint made by the eight-year-old hands of Jackie Cooper in the courtyard outside what was formerly known as Grauman’s Chinese Theatre, it was clear to me where my university world history professor had gone wrong. His lessons and tests had been all about dates and geography, but history is something you should be able to see and feel for yourself. Sometimes this is only possible with remnants held in a museum, or through our imagination in the telling of a story. We are fortunate to be witness to an early age of cinematic art, where I can still bring my sister to sit in the audience with one of the original cast members from a film released in 1939, and during a time where the technological advances of restoration and an IMAX 3D presentation bring this beloved classic to renewed life.    

     

            On October 1st, Warner Bros. Home Entertainment will debut a limited The Wizard of Oz 75th Anniversary 5-Disc Collector’s Edition which will include a Blu-ray 3D, Blu-ray, DVD and Ultraviolet versions of the film, along with plenty of new and old special features. The IMAX 3D presentation of The Wizard of OZ will be available at 300 select theaters for one week, starting this Friday, September 20th.
     

     

           

           

     

     

    The Last Tycoon Blu-ray Review

     
  • Actors: Chow Yun Fat, Sammo Hung, Francis Ng, Huang Xiaoming, Yolanda Yuan
  • Director: Wong Jing
  • Format: Blu-ray, Dolby, NTSC, Subtitled, THX, Widescreen
  • Language: Cantonese
  • Subtitles: English
  • Aspect Ratio: 1.85:1
  • Rated: Unrated
  • Studio: Well Go USA
  • Release Date: September 17, 2013
  • Run Time: 107 minutes


  •  

     

            Jing Wong’s The Last Tycoon is a reasonable entertaining film. There are more than a few engaging sequences, though they are buried enough amongst many forgettable and vaguely familiar moments to make The Last Tycoon feel like the echo of better films from recent past. Despite a jarring editing style which jerks the audience back and forth in time, there are few surprises to be found and little distinctly memorable. With that being said, The Last Tycoon is still a reasonably entertaining film.

     

            Action star Chow Yun-Fat plays the seasoned older version of the film’s main character, Cheng Daqi, and it almost feels as though the editing was a choice made in order to keep the film’s largest star equally dispersed amongst the narrative. First played by Huang Xiaoming, Daqi is a young man working for a fruit stand owner in the early 1920s when he is framed for murder and forced to flee  to Shanghai where he becomes the right hand to a triad boss, Hong Shouting (Sammo Hung).

     

    He is forced to leave behind childhood sweetheart, Ye Zhiqui (Feng Wenjuan followed by Yuan Quan), only to meet up with her later in life as a powerful gangster. She is married to Mao Zai (Francis Ng) whose involvement in the battle against Japanese occupation doesn’t always take her best interest at heart. Daqi takes it upon himself to protect his long lost love, despite her marriage to another man, forcing him to risk all that he has for something he has lost. The film’s narrative actually shares a great deal with Casablanca, but this does not help the film’s uneven editing.

     

    The Blu-ray release includes a making-of featurette and a trailer.

     

           

    Entertainment Value: 7/10

    Quality of Filmmaking: 6.5/10

    Historical Significance: 5/10

    Disc Features: 5/10

     

     

    War of the Buttons Blu-ray Review

     
  • Actors: Jean Texier, Ilona Bachelier
  • Director: Christophe Barratier
  • Format: NTSC
  • Language: French
  • Rated: PG-13
  • Studio: ANCHOR BAY
  • DVD Release Date: September 17, 2013
  • Run Time: 87 minutes






  •  

            War of the Buttons could have made a lovely little coming of age film, had it been set during any other time period. Instead, it is a strange movie which doesn’t exist in reality while trying to tackle serious issues. Even the humor found in Life is Beautiful was not at the expense of the gravity in the situation, but the Holocaust is a mere story contrivance in War of the Buttons. There appears no attempt to show an accurate depiction, while the film’s narrative is weighed down on the insistence that it be central to the story.

     

            War of the Buttons comes from filmmaker Christophe Barratier (The Chorus), who once again returns to the classroom for much of the film’s structure. The teacher is played by Guillaume Canet, though the film’s protagonist is class clown and leader, Lebrac (Jean Texier). Lebrac leads the rest of the boys in his class in a war against boys from an opposing village, with buttons being the ultimate sign of conquest.

     

            The story is adapted from the novel by Louis Pergaud, which has previously been adapted several times, including another adaptation set in the 1960s which was also released in 2011, and one set in Ireland from 1994. The elements of Nazi-France within the story simply feel out of place amongst the other issues the children are facing, despite all the best efforts to blend them together.

     

            The DVD includes a making-of featurette, as well as deleted scenes and a blooper reel. 

           

    Entertainment Value: 7.5/10

    Quality of Filmmaking: 6/10

    Historical Significance: 5/10

    Disc Features: 6/10

     

     

    Two Men in Manhattan Blu-ray Review

     
  • Actors: Jean-Pierre Melville, Pierre Grasset
  • Director: Jean-Pierre Melville
  • Format: Blu-ray, NTSC
  • Language: French
  • Subtitles: English
  • Aspect Ratio: 1.33:1
  • Rated: Not Rated
  • Studio: Cohen Media Group
  • Release Date: September 17, 2013
  • Run Time: 84 minutes




  • This lesser known classic from Jean-Pierre Melville was a turning point in the career of the famed French New Wave filmmaker. Although Two Men in Manhattan (Deux Hommes dans Manhattan) was considered a failure at the time, it must have been one which had a great impact on the filmmaker because he was met with intense national success in the films that followed this one. At the time Two Men in Manhattan may not have been widely appreciated, but it is one of those buried gems that now appear ahead of their time.

     

            The film takes place over the course of a night in Manhattan as a journalist searches for a missing French diplomat. Melville stars as Moreau, the man given the task of hunting down French UN delegate Fèvre-Berthier, a man infamous for his many extramarital affairs. Utilizing the seedy nature of his photographer friend, Delmas (Pierre Grasset), Moreau is able to track down each of the delegate’s mistresses.

     

            Much of the film is Melville and Grasset driving around a beautifully photographed New York City, all the while making clever conversation with each other. As they drive from beautiful woman to the next, they are followed by a mysterious car. The end result of this evening search provides an opportunity which may be too tempting for the bottom-feeder photographer, a type which would later come to be known as paparazzi.

     

            Two Men in Manhattan is significant because of the manner in which it was filmed, with many real locations and on a low budget. This style would come to be defined as French New Wave, but Melville was more than just a footnote in film history’s stylistic approaches; he was a lover of cinema and Two Men in Manhattan is an entertaining movie, first and foremost.

     

            The Blu-ray features include a conversation between critics Jonathan Rosenbaum and Ignatiy Vishnevetsky and the booklet has a new essay from Melville scholar, Ginette Vincendeau.

     

    Entertainment Value: 7/10

    Quality of Filmmaking: 8.5/10

    Historical Significance: 8/10

    Disc Features: 7/10

     

     

     

    Shanghai Calling DVD Review

  • Actors: Daniel Henney, Eliza Coupe, Alan Ruck, Bill Paxton, Zhu Zhu
  • Director: Daniel Hsia
  • Format: Color, NTSC, Widescreen
  • Language: English
  • Rated: PG-13 
  • Studio: ANCHOR BAY
  • DVD Release Date: September 17, 2013
  • Run Time: 101 minutes








  •         Shanghai Calling is a lighthearted romantic comedy with an original premise. There are not many surprises within the screenplay, but the genre doesn’t require there to be. All that is necessary is the romance and a moderate amount of laugh-inducing jokes. Shanghai Calling never completely delivers on either, but despite minimal romantic chemistry between cast members and jokes which are lucky if they are mildly amusing, I found myself entertained for the film’s 101 minute running time.

     

            One of the film’s more difficult storytelling techniques is the voice-over narrator which opens and closes the film. It doesn’t quite fit, not to mention the jarring feeling that the narrator’s return causes after being absent a majority of the picture. The supporting character Awesome Wang (Geng Le) is the narrator, telling the story of a New York attorney sent to China for business. Sam Chao (Daniel Henney) is American, but his Chinese nationality makes him an ignorantly obvious choice when his firm needs someone in Shanghai.

     

            The fish-out-of-water narrative is given extra punch with a character everyone assumes will fit in because of his appearance. Sam doesn’t speak the language, but a blonde relocation specialist (Eliza Coupe) is able to despite her deceiving looks. Their romance is meant to be at the center of the film, but whether it is lacking chemistry or too many other sub-plots, this romance never seems entirely believable. The film co-stars Bill Paxton and Alan Ruck.

     

            The DVD includes a behind-the-scenes featurette.

     

             

     

    Entertainment Value: 7/10

    Quality of Filmmaking: 5/10

    Historical Significance: 3/10

    Disc Features: 4/10

     

     

    RMN Quick Critique: The Two Mrs. Carrolls (1947)

     

     

     

            Humphrey Bogart seemed to have two different personas onscreen; there was the tough guy romantic as remembered in Casablanca and the tough guy criminal from films such as The Treasure of Sierra Madre and his many noir classics. The Two Mrs. Carrolls somehow manages to utilize both of these personas in a thrilling forgotten classic filled with murder and intrigue, based on the stage play by Martin Vale which mostly takes place during one rainy evening. Geoffrey Carroll (Bogart) is married to Sally, played by Barbara Stanwyck, but he was married when he met her. As a fickle artist, Geoffrey trades out wives to keep his work fresh, and Sally is the next victim in this cycle.

     

           

           

    Entertainment: 7/10

    Quality: 7/10

    Availability: DVD

     

     

    Throwback Thursday Review: A Prairie Home Companion

     
  • Actors: Meryl Streep, Tommy Lee Jones, Woody Harrelson, Lindsay Lohan, Virginia Madsen
  • Director: Robert Altman
  • Aspect Ratio: 1.85:1
  • Rated: PG-13
  • Studio: New Line Home Video
  • Release Date: October 10, 2006
  • Run Time: 106 minutes


  •         There is a kind of forced timelessness about A Prairie Home Companion, but even more so the film has an ambiguity when it comes to time. The film begins with the sound of a radio dial being turned from station to station, evoking a classic feeling of nostalgia until slowly more modern sounds are blended in through certain stations, most notable being the traffic report from a helicopter. The next image is of a diner as our narrator Guy Noir, a private eye, is having his dinner before he goes to work as a security guard at the radio program. As if the name and the private detective narration isn’t enough of a hint, Altman is making reference to a certain time; a time when people ate in streetcar diners and dark detective and film noir stories were popular. Just as quickly we begin to see more modern elements within the world, seeping into the radio station as they broadcast their last show.

     

    The cast of characters traipsing on and off stage during the final broadcast of A Prairie Home Companion is what keeps the film moving in between the musical numbers. We begin with Guy Noir who is played by Kevin Kline. Guy is a private eye who is fascinated by a mysterious woman (Virginia Madsen) who comes back stage for the last performance. Through the whole film Guy talks like he is reading straight from a detective novel. John C Reilly and Woody Harrelson are Lefty and Dusty, the Old Trailhands, and they always leave you wanting more. Their interactions with each other, both in the constant bickering and competitiveness as well as the contrast of their performing together has the feeling of two people that have known each other for years. Reilly is especially fabulous onstage and Harrelson has his fun when they stop singing.

     

    There is also Meryl Streep and Lily Tomlin as the Johnson Sisters, Yolanda and Rhonda. These two go to town with Altman’s freeing direction style (he claims to encourage improvising so much that he never even read the film’s script before shooting), often chatting away with each other in such a believable and realistic way that it becomes believable to the point of irritating. Lindsay Lohan is a stark contrast as Yolanda’s daughter, Lola, who is more interested in writing songs about suicide than her mother’s constant chatter. The sisters are too much too bear at times, more annoying and frighteningly familiar than they are fun to watch.

     

    The DVD will be especially appealing to fans of the music in the film. There are extended musical segments as well as the advertisements. The songs are played in their entirety and the musicians are on display. Much of the footage just seems like director Robert Altman was having a ball filming while the musicians showed their stuff. The amount is so overwhelming that it is clear that they couldn’t have ever expected it all to make it into the film. There is also a behind-the-scenes featurette and a commentary track with Altman and Kevin Kline, and some deleted scenes.

     

     

           

    Entertainment Value: 7/10

    Quality of Filmmaking: 7/10

    Historical Significance: 9/10

    Disc Features: 8/10

     

     

    Love Is All You Need Blu-ray Review

     
  • Actors: Trine Dyrholm, Pierce Brosnan
  • Director: Susanne Bier
  • Format: AC-3, Blu-ray, Dolby, NTSC, Subtitled, Widescreen
  • Language: English  
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • Release Date: September 10, 2013
  • Run Time: 116 minutes


  •  

     

            Love Is All You Need is a Danish film set in Italy with an English star. If that sounds complex, it would be fittingly so. Though this may have been a cliché romantic comedy or an overwrought melodrama in Hollywood, it makes for ceaselessly unexpected delights at the hand of Danish auteur, Susanne Bier. The screenplay was written by another predominant filmmaker in Scandinavian cinema, Anders Thomas Jensen, who does a great deal in helping the narrative along with believable ease, but it is Bier’s ability to direct her actors which elevates Love Is All You Need beyond the limitations usually applied to genre films such as these.

     

            The narrative’s main focus surrounds the days leading up to a wedding held at a villa in Sorrento, Italy. Philip (Pierce Brosnan) is an English widow running his produce business from Denmark, intentionally choosing a life of solitude after the passing of his wife. Ida is a Danish hairdresser who has just endured a round of chemotherapy in hopes of defeating her cancer when she discovers that her husband has been cheating. Philip and Ida have a tear-filled meet-cute in the airport on the way to the wedding of Philip’s son and Ida’s daughter.

     

            The family dysfunction endures on both sides of the family, with Ida’s repugnant husband and young mistress being the highlight. At the same time, the situation provides Ida and Philip the opportunity to get to know each other. Nothing comes easily, and although Love Is All You Need is romantic and will make you laugh, it is not as safe or black-and-white as most Hollywood romantic comedies tend to be. With that being said, the film plays “That’s Amore” five times, and uses nearly three exposition shots between every scene. I understand that the setting was gorgeous and the footage is truly incredible, but the editing could have been a bit less indulgent and the soundtrack less repetitious.

     

            The Blu-ray release includes a commentary track with Brosnan and Bier, as well as three featurettes with cast/crew interviews. There is a behind-the-scenes featurette with Dyrholm, interviews with the cast from the Venice Film Festival press conference, and a Q&A with the two stars, the director and the screenwriter.  

     

           

    Entertainment Value: 8/10

    Quality of Filmmaking: 8.5/10

    Historical Significance: 7.5/10

    Disc Features: 7/10

     

     

    Sisters & Brothers Blu-ray Review

     
  • Actors: Cory Monteith, Dustin Milligan, Amanda Crew, Camille Sullivan
  • Director: Carl Bessai
  • Format: Blu-ray, NTSC, Widescreen
  • Language: English  
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: ANCHOR BAY
  • Release Date: September 10, 2013
  • Run Time: 86 minutes


  •  

     

            I enjoy a good Hollywood satire, because there are many elements of the entertainment world which is ripe for picking on and the industry narcissistically appreciates negative attention over none. The problem with an independent film satirically insulting Hollywood is the mere hypocrisy of the entire endeavor. It’s like the kid who is terrible at a game and insists that the game is stupid while desperately trying to be the winner. Canadian filmmaker Carl Bessai clearly wants to be a part of the club, though this film has an obsession with belittling Hollywood while he simultaneously attempts to make a movie to build his reputation within it.

     

            You may wonder why I am discussing Hollywood satires for a film called Sisters & Brothers. It is true that the familial relationships is the main focus of the narrative, just as Bessai’s previous films, Mothers & Daughters and Fathers & Sons. The problem with these sibling situations is the mere fact that two out of the four deal with one or two characters working within the film industry. In the most fantasy-based section of the film, brothers Justin (Cory Monteith) and Rory (Dustin Milligan) deal with their competing careers in Hollywood. Although Rory was a star first, his brother Justin quickly surpassed him to movie star status, and they bicker over what is important as Justin shows off his luxurious lifestyle. The other actor in the film is pathetic Canadian dreamer, Nikki (Amanda Crew), who has a cynical half-sister named Maggie (Camille Sullivan) to judge her on a road trip to L.A. with a promise-filled writer whose brother is also an actor.

     

            The only two stories which aren’t obsessed with the entertainment industry are the two more melodramatic sequences, and also contain some of the poorer acting. Louise (Gabrielle Miller) cares for her mentally ill brother (Ben Ratner), although the improvised nature of the film and Ratner’s inability to keep from breaking character makes this entire section entirely insensitive to people with real mental problems. Perhaps Ratner was just having fun with the role, but Bessai’s inability to retain control makes this section more offensive than effective. The last section is the most amateur and manipulative, involving an unbelievable situation with unrealistically exaggerated character behavior, all ending with a contrived emotional resolution. Spoiled teen Sarah (Gabrielle Miller) discovers that she has a half-sister from her mother’s time as a cult member in India.

     

            There is no screenwriter listed in the credits of Sisters & Brothers, instead listing the film as a collective creation by the cast. I can only assume that means that they improvised or made up most of it on their own, which makes the performances slightly more impressive and Bessai appear an extremely lazy filmmaker. I would not recommend this to anyone, especially not anyone actually in the entertainment industry. Perhaps the Canadian film industry will enjoy the jokes about Hollywood, although anyone who has seen an episode of “Entourage” could write material this realistic.

           

    Entertainment Value: 3.5/10

    Quality of Filmmaking: 2/10

    Historical Significance: 0/10

    Disc Features: 0/10

     

     

    Peeples Blu-ray Review

     
  • Rated: PG-13 (Parental Guidance Suggested)
  • Studio: Lions Gate
  • Release Date: September 10, 2013
  • Run Time: 95 minutes



  •  

     

            Very rarely is anything with Tyler Perry’s name attached going to be unpredictable. He has franchised his name into a safe and generic type of entertainment, and his films and television shows can all be exactly the same as long as he continues to draw in audiences that want more of the same. Thankfully he has taken only a producer position in Tyler Perry Presents Peeples, though the locations look remarkably familiar and the narrative is far from original or surprising. The most surprising thing about this film is how unsympathetic and distasteful the romantic female lead is for a film written and directed by a woman.

     

            Essentially ripping off Meet the Parents in as many aspects as possible without threat of plagiarism, writer Tina Gordon Chism (Drumline, ATL) also made this her directorial debut. Craig Robinson is the film’s sliver lining as Wade, a modest man who takes it upon himself to show up and meet his girlfriend’s wealthy family in hopes of asking for her hand in marriage. When it turns out that his girlfriend, Grace (Kerry Washington), has never even told her family that she was dating Wade, he lets it go far too easily. When he discovers that she has been keeping many other things from him, including a plethora of local lovers a solid twenty years older than her and a criminal record, it becomes obnoxious that Wade still wants to marry her. The film makes him a saint and that just makes him too good for the entire family, including the judgmental Judge Peeples (David Alan Greer), Grace’s father. 

     

            When this film wasn’t annoying me, I was entertained because of Robinson. There isn’t much material to go on here and it feels like a product more than a piece of art, but it makes for a decently bland evening’s entertainment. The Blu-ray release also includes a digital copy, along with a few featurettes, a commentary track, and a gag reel.

           

    Entertainment Value: 6/10

    Quality of Filmmaking: 4/10

    Historical Significance: 1/10

    Disc Features: 7/10

     

     


     

    Évocateur: The Morton Downey Jr. Movie Blu-ray Review

     
  • Actors: Gloria Allred, Michele Bachmann
  • Directors: Seth Kramer, Daniel A. Miller, Jeremy Newberger
  • Format: Blu-ray, Closed-captioned, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: Spanish
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Magnolia Home Entertainment
  • Release Date: September 3, 2013
  • Run Time: 90 minutes


  •  

     

            I had never heard of Morton Downey Jr. prior to watching this documentary. I grew up in the 1980s, but my parents restricted what I watched and I can’t imagine I would have cared about the right-wing agenda of his show anyway. With that being said, I could not have been more fascinated with the documentary about this bizarre ego-maniac.

     

            Évocateur: The Morton Downey Jr. Movie follows the sudden rise and sudden fall of Morton Downey’s late-night talk show which paved the way for people like Jerry Springer under the guise of patriotism. What becomes truly clear about the man, however, is that he enjoyed the spotlight and fame far more than anything he was doing to achieve it.

     

    Prior to his talk show and political convictions, Morton Downey Jr. attempted to match his father’s success as a singer. When he becomes famous for his political tripe, it almost appears to simply be another way for him to absorb as much attention as possible. The more we discover about the man that he truly was, the more of a phony his persona appears to be. Given the title “Father of Trash Television,” Downey Jr. had a studio audience to help him bully guests until nobody but strippers would agree to make an appearance. This is how we ended up with Jerry Springer, apparently.


    The Blu-ray release includes a number of special features for fans of the subject and documentary alike. There are memorable moments from the famed talk show, as well as a featurette on the film’s animation sequences, and a commentary track with directors Seth Kramer, Daniel A. Miller and Jeremy Newberger.

           

    Entertainment Value: 8/10

    Quality of Filmmaking: 7/10

    Historical Significance: 7/10

    Disc Features: 8/10

     

     

    The Black Waters of Echo’s Pond Blu-ray Review

     
  • Actors: Robert Patrick, Danielle Harris, Electra Avellan
  • Director: Gabriel Bologna
  • Format: Blu-ray, NTSC, Widescreen
  • Language: English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: ANCHOR BAY
  • Release Date: September 10, 2013
  • Run Time: 93 minutes


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            Horror movies are not known for having believable acting or clever dialogue, but the inability to portray believable characters tends to be distracted by the threat of death that usually dispatches of the bad actors one-by-one. The acting may not be worse than usual in The Black Waters of Echo’s Pond, but with a storyline that essentially has the audience watching a board game being played there is little else to focus on. The Academy Awards have debated the inclusion of Best Casting Director into their awards for years, although The Black Waters of Echo’s Pond makes a far better case for the inclusion of such an award at the Razzies.

     

            The seemingly simple premise of The Black Waters of Echo’s Pond is actually just a lack of content. Horror movies with casting and dialogue as awful as this one should not take nearly so long to get to the action. A group of friends with a variety of annoying melodrama get together for a cabin-in-the-woods type of weekend, resulting in an inevitable struggle for survival. What makes this film barely unique is a board game that the friends find in the home. It essentially turns into a game of truth or dare, although the game board and cards seem to have a supernatural ability when it comes to the tasks and questions given. The construction of the game itself is quite comical, and one of the saddest aspects of the film’s production design. I could actually see the metallic glitter pen used to try and make the cards look old and creepy, though it did not achieve the desired effect.

           

            Casting director Corbin Bronson has collected a number of actors that have been consistently bad through their careers, type casting bad actors from horror movies to be bad actors in a lower budget horror movie. This mentality is common in Hollywood, though all it has done is recycle generically bad actors merely for being recognizable. For instance, Danielle Harris has clearly been included in the cast merely for her role in the Hatchet franchise, which she only got from her role in Rob Zombie’s arrogant Halloween revival. She was bad in those films and is worse here, but seems content to force every role into the same angry scream queen joke. James Duval is also included as the unfairly judged black sheep of the group. Duval is best known for playing Frank the rabbit in Donnie Darko, and it seems no accident that the rabbit imagery in this film, including the board game player pieces, look remarkably similar to the costume design of Duval’s previous role.

     

            These are obnoxious casting choices, but not even the worst. The film’s most horrendously, offensively, nauseatingly bad acting comes from two actors who have made a career out of being twins willing to undress together. They were the babysitter twins in Quentin Tarantino and Robert Rodriguez’s Grindhouse double-feature, and then returned as twin nurses in the Machete franchise. They may fit into the exploitation world under the novelty of twins in cliché fantasy roles, but their chance to act in this film is one which should have never been given to them. Neither one can act, and I can’t imagine that either has a career without one twin dressing up in a matching Halloween costume beside the other.

     

            There are some horror elements of this film which distract slightly from the terrible acting and uninspired screenplay, but it is too little and far too late. The filmmakers should have realized first and foremost that watching a group of characters play a board game is not compelling cinema. The Blu-ray special features include an alternate opening.

     

    Entertainment Value: 3/10

    Quality of Filmmaking: 3/10

    Historical Significance: 0/10

    Disc Features: 2/10

     

     

    Now You See Me DVD Review

     
  • Actors: Jesse Eisenberg, Mark Ruffalo, Morgan Freeman, Michael Caine, Isla Fisher
  • Director: Louis Leterrier
  • Format: Color, NTSC, Widescreen
  • Language: English
  • Number of discs: 1
  • Rated: PG-13 (Parental Guidance Suggested)
  • Studio: Summit Entertainment
  • DVD Release Date: September 3, 2013


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            The tag line for Now You See Me is “The closer you look, the less you’ll see.” This is a line repeated several times throughout the film, and it is a very accurate description of the film itself. The ability to slow down and playback sequences on home video may satisfy a certain amount of curiosity, but it is the same result as discovering a magicians tricks. The magic is gone and all that is left are a couple of boxes and mirrors.

     

    On the other hand, Now You See Me remembered something that nearly all of the heavy-handed comic book blockbusters of the summer forgot; how to have fun. It is a fast-paced film full of energy and spectacle, without any of the weight of morality or turmoil that seemed to make every other blockbuster this summer sink like a bag of rocks. Now You See Me is the kind of film which provides less the more you look at it, but it provides the kind of escapist entertainment that summer films are meant to provide.

     

            The powerhouse cast attached to Now You See Me along with the heist-like elements of the narrative, beg for comparison to Ocean’s 11 with the unique element of magic added in. The audience is given hints as to what is going on, but we are never on the inside. In the opening sequence we watch as four extremely different magicians are joined by a mysterious anonymous figure, recruited to be a part of one magic routine with a specific goal of revenge.

     

             J. Daniel Atlas (Jesse Eisenberg) is the most traditional stage magician, doing card tricks and a variety of the usual staged shows of his ability. His former assistant, Henley Reeves (Isla Fisher), adds an element of danger and blood to her edgier routine and the group. Merritt McKinney (Woody Harrelson) is a former star mentalist, down on his luck, and the fourth member of the group is a gifted escape artist and thief named Jack Wilder (Dave Franco). When the first show of this group named “The Four Horsemen” results in a bank being robbed across the country, F.B.I. and Interpol (led by Mark Ruffalo, Common and Mélanie Laurent) agents make it a priority to find out what is behind the curtain. The film also co-stars Michael Caine and Morgan Freeman.

     

            The DVD release includes an audio commentary by producer Bobby Cohen and director Louis Leterrier. There is also a behind-the-scenes featurette, which shows a few filmmaking tricks. The DVD package also comes with an ultraviolet copy of the film.  

     

           

    Entertainment Value: 9/10

    Quality of Filmmaking: 7.5/10

    Historical Significance: 7/10

    Disc Features: 6.5/10