Deciding whether or not to watch a movie in theaters is only the first of many choices audience members now have, especially when it comes to the blockbuster releases. Which theater chain, where to sit, and what to snack on remain choices that have long existed, but now audiences have multiple options in regards to the actual presentation of the film. In an effort to help audience members make the best choice, we will discuss the specifics of each available option for Captain Marvel.
Second Act earned a certain amount of respect from me, but that had more to do with film history and marketing choices than the quality of the movie itself. Although the promotional material sold the film as a comedy about class differences, there are plot twists that quickly veer the narrative into more melodramatic territory. And I don’t use the word melodrama as an insult, but rather as the genre which was popularized in the 1940s, primarily dealing with stories of motherly love and loss. Sadly, Second Act is the rare exception of a film that doesn’t spoil these reveals in the trailers.
Just in case anyone was asking for a landlocked version of Waterworld, Mortal Engines released into theaters with the odd expectations that there was an audience for this film. A big-budget theatrical experience if ever there was one (shown in 3D, IMAX and the usual perks offered to those willing to watch it on the big screen), Mortal Engines has all of the pieces to make up a blockbuster, except one. There is an apocalyptic sci-fi storyline (which has proven successful in multiple franchises), action, humor, romance, and plenty of special effects. The only thing missing was audience interest.